![]() ![]() The firm is considered the market leader in touch and display driver integration, or TDDI. Integrating touch and display functions represents the surest path to technological relevance for Synaptics, in our opinion. We believe Synaptics has the tools to drive innovation and increase its presence in devices while staving off the commodification that frequently consumes comparable entities. Synaptics has pursued the latter, and after some well-executed acquisitions-Validity Sensors (fingerprint) and Renesas (display drivers)-it now boasts a broader product portfolio with touch, display, and fingerprint capabilities. In contrast, mature companies look to spur growth with consolidation as a means of offering original-equipment manufacturers more comprehensive solutions. ![]() It was almost a psychedelic experience to be in theatre watching the movie with Jim, with Jim being the person who was laughing the loudest."īalsillie, who is mocked in one of the film's scenes for having never seen "Star Wars," confided to Howerton that he enjoyed watching "BlackBerry" so much that it was the first movie he had ever seen twice in his life.ĭon’t miss out on ET Prime stories! Get your daily dose of business updates on WhatsApp.Competition among smartphone component suppliers can be cutthroat, as up-and-coming firms strive for market share via price wars with incumbents. "In many ways, (Jim) was the hero, he was the character who changed for the better (in the film)," Johnson said. Unlike Lazaridis and Fregin, Balsillie attended a recent showing of the film in Toronto and even walked the red carpet with Johnson and Howerton. Now that BlackBerry has faded from the public consciousness, Balsillie seems to be welcoming the renewed attention from the new film even though he quibbled with some aspects of his character during a recent interview with The Canadian Press. Both Balsillie and Lazaridis left RIM in 2012. "I played him as someone who had something to prove at almost all times, that he could play with the big boys."īalsillie eventually became entangled in legal problems tied to improper changes to the pricing of stock options - a tactic known as "backdating" that also ensnared Apple's former general counsel and former chief financial officer in 2007 for their handling of compensation packages awarded Jobs. "It always felt like this was a guy who weirdly felt a little outside of sort of what people would consider to be sort of a titan of technology or business," Howerton said of Basillie during an AP interview. Actor Glenn Howerton (best known for his role in the TV series, "It's Always Sunny In Philadelphia") portrays Balsillie in a way that casts him as both the story's chief antagonist and protagonist dropping f-bombs in tyrannical temper tantrums at the same time he is making savvy moves that turned the BlackBerry into a cultural sensation. I owe him huge."īalsillie, RIM's co-CEO with Lazaridis, emerges as the film's most intriguing character. "It's so funny that he has released that video (because) so much of my character is based on him. "I think when he sees the film he is going to be quite charmed by how much of his original notes are in the film," Johnson said of Wandel. Before that, Wandel talked extensively to Johnson about RIM's history and even provided diaries that he kept while during the BlackBerry's development. Ironically, Johnson got a lot of his idea on how to depict Fregin from one of RIM's early employees, Matthias Wandel, who posted a YouTube video critiquing inaccuracies that he saw in the "BlackBerry" trailer. "Doug is true cipher, he has never done a taped interview," said Johnson, which led him to portray Fregin as a "kind of mascot figure who is tying the culture of the office together." Johnson had to do a lot of guesswork in his role as the enigmatic Fregin, who sold all his stock in BlackBerry's holding company - then known as Research In Motion, RIM - around the same time Apple released the first iPhone and has kept a low profile ever since. "But our lawyers wouldn't let us put anything in the film that was an outright fabrication," Johnson stressed. Among other changes, Johnson cited shifting some timelines, shaping the company culture through his view of the 1990s and infusing the key characters with "our own personalities and our own ideas. ![]()
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